![]() And lest anyone think his furry bagpipe, a Central European version of the instrument called a bock, was merely a prop, a musician came out during intermission to play it and sing some charming folk songs. These famous recordings were remarkable for the superlative interpretations and masterful performances of Leonard B. Schwanda is back where he belongs, in an extravagant if muddled production enthusiastically embraced by a Czech audience. 74.95 Brand: Walking Frog Records Year: 1999 An incredible set utilizing recordings from the 19 volume Gems Of The Concert Band LP record series. High-volume blasts for minor plot turns tended to render them absurd.īut never mind. Find many great new & used options and get the best deals for 1928 Frieder Weissmann Berlin Hit Opera WEINBERGER SCHWANDA THE BAGPIPE PLAYER at the best online prices at eBay Skip to main content. There is not an emotion or event in the entire opera that is not musically underscored, a modern, almost cinematic touch vividly realized, perhaps too much at times. Under the baton of Zbyněk Müller, the National Theater Orchestra offered lively and insightful accompaniment. Their positioning added even more intensity to a very sharp performance of richly shaded entreaties and Greek chorus-style commentary. Ester Pavlů was a forbidding ice-hearted queen, a bit too stiff at times, but warm and inviting in a duet with Brückler after the spell is broken, then fearsome minutes later, after learning that he’s already married.Īrguably the strongest vocals of the evening came from the National Theater Chorus, which was split up, with some singers onstage and others in loges along both sides of the main floor. Free shipping on many items Browse your favorite brands affordable prices. As Dorotka, Jana Šrejma Kačírková filled her scenes with full but tender vocals, offering a note-perfect portrayal of a wronged, wounded woman. Schwanda the Bagpiper - polka: Weinberger: Help Opus Details For feedback and questions, please contact Victor Gomersall. Get the best deals on Rca Victor In Vintage Record Players when you shop the largest online selection at. See the ADP Brunswick Records Resources page for more information. His heartfelt aria of longing for Dorotka earlier in the second act drew appreciative applause. Documentation of Brunswick Records derives primarily from Ross Lairds 'Brunswick Records: A discography of recordings, 1916-1931' (Greenwood Press, 2001). Jiří Brückler was a tepid Schwanda, though to be fair, that was largely a function of this production, in which he doesn’t even get to pick up and play his bagpipes until he’s leaving hell. After a weak showing in the first act, Martin Šrejma (Babinský) found his voice and developed some swagger, which is critical – the title notwithstanding, he’s the driving force in the opera. Jiří Sulženko played the gruff devil for laughs, an affable, not very bright adversary who turned out a generous loser. ![]() Until the second act, when the action moves to hell and the singers finally have some space.
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